In 1.964 Salvador Dali presented an artyfact on which he was working during 10 years, the "ovocipede"
it was an oval spaceship which allowed the time travels, either toward a future or toward a past.
The engine was powered by 29 transistors fueled by eggs, milk and magdalenas valencianas, and the additional dispositives included electric toothbrush, a masturbatory saddle, shower and amplitude modulation radio
the transparent structure of this rocket consisted of an inflated conch of polyethylene and palitos correctores, and it had to be publicly showed at the Galerías Recamier, in BuenosAires, because Franco banned the science in Spain until 1.975 (in fact he banned it forever, but he died in 1.975, so there the king of Spain came with white armor and spear, and unbanned it).
it was an oval spaceship which allowed the time travels, either toward a future or toward a past.
The engine was powered by 29 transistors fueled by eggs, milk and magdalenas valencianas, and the additional dispositives included electric toothbrush, a masturbatory saddle, shower and amplitude modulation radio
the transparent structure of this rocket consisted of an inflated conch of polyethylene and palitos correctores, and it had to be publicly showed at the Galerías Recamier, in BuenosAires, because Franco banned the science in Spain until 1.975 (in fact he banned it forever, but he died in 1.975, so there the king of Spain came with white armor and spear, and unbanned it).
During the agape were served churrascos and "Puré Chef", accompanied by generous litres of Pico Rojo wine.

The motor of the ovocipede was turned on at 3:00 PM, the day 15 of March of 1.964, and the first traveler invited to check the artyfact was Doña Isaaca Wíndsor, a cordial granny who can be seen on the picture with the extravagant artiste.
She could travel, succinctly, toward the year 1.990, opportunity when she could verify some technical novelties, like the compact disk, bringing an exemplar with her during her temporal return to 1.964.
The compact disk puzzled the people of 1.964, but no one knew how to play it, or what the fuck a compact disk was.
Also the compact disk players didn't exist in those times, some took it for an ash-tray:
finally it was thrown through a window like a fucking boomerang or frisbee and almost beheaded a blotto who passed by.
The exposition had to be finished brusquely, because of a last minute edict forbidding the exhibitions of degenerist art, and the hall was occupied by agents of the Gendarmery.
The expo had to move to the República Oriental del Uruguay, more permissive, being successfully presented during 19 months at the Bovine Forum in Montevideo, until it was destroyed by a stampede of cows that invaded the hall.
After this, the ovocipede was carefully hidden in a subterranean hangar under the jungles of Papua New Guinea, until 1.999, when it was captured by Europol, and transported to Crapo, Maryland, where it stayed until today.
The Palau Jordi Tuñón of Barcelona claimed the apparatus, but the sheriff of Crapo sent him a pito catalán.
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